Archive for Artist Inspiration
What do you do with the things you’ve placed inside the pocket of your journal? Do they stay inside the pocket, or do you in some way adhere them to a blank page? I usually don’t glue things in the journals I use for daily writing, but I do use a lot of glue in what I call my “Inspiration Books” where interesting images are cut from magazines and advertisements and are then arranged by color, subject or what have you. Some people call such books, “Glue Books”
Do you have a favorite adhesive? My favorite has been the Yes! paste. A little goes a long way and things stay affixed and flat. I typically apply it with a small brush that has been dipped in a small amount of water,
Want some tips on choosing the right adhesive? Check out these links:
All About Adhesive at Scrapbooking 101
Want to learn more about gluebooks?
Find a book. Find some glue. Find some things to glue. Glue with reckless abandon!
From How Discovering Gluebooks Changed My Life at Go Make Something
Glue-Booking at The Art Journal Community
Is writer’s block real? What do you think causes it? And what are your favorite ways to move through it? I’m not sure I have experienced it in the way others have spoken about it. When I get stuck on one thing, I simply shift to the next. By working on a myriad of creative projects at any one time, this typically frees up energy surrounding the “block” and permits the mind to relax enough for the ideas, words, etc., to begin to flow again.
Need some inspiration to get over the hump?
One of my favorite ways to move through the “stuck” is by doodling. (For me, this simple exercise of mindless mark making ended up becoming a foundational element in an entire career based on creativity.) Doodling engages the brain and helps to calm a restless mind. Doodling helps focus our attention which can in theory, help you break through writer’s block.
In this quick TED Talk, author and visual thinker Sunni Brown argues that doodling not only helps people stay mentally focused on the topic at hand, it also improves their ability to process information, and enhances our creative problem-solving.
There’s nothing like a new journal for a new year. Was one of your holiday gifts a new journal? Need help getting started? Here’s a few ideas on how to use it:
You can use it as a personal diary, which would include entries arranged by date, reporting on what has happened over the course of a day, week, etc. A personal diary might include personal experiences, and/or thoughts or feelings. It may also include comments on current events outside your direct experience
You can use it as a commonplace book- essentially a handwritten scrapbook filled with items of every kind: recipes, quotes, letters, poems, proverbs, prayers, etc. Commonplace books are useful as an aid in remembering useful concepts or facts, and each book becomes unique to its owners particular interests.
You could use your new journal as an urban sketchbook – one where you practice drawing on location in cities, towns and villages you live in or travel to. (Take a look at the Urban Sketchers Flickr Pool for inspiration.)
The purple journal shown above is a Rhodiarama Webbie. These notebooks are available in two sizes: Large 5 ½ x 8 ¾ ” & Pocket 3 ½ x 5 ½ ” and in 15 colors: Black, Chocolate, Taupe, Beige, Anise, Turquoise, Sapphire, Iris, Purple, Lilac, Raspberry, Poppy, Tangerine, Orange & Yellow
Today’s Noteworthy artist is Angie Snyder Lande who will be offering a review on samples of PASTELMAT provided by Armadillo Art. PASTELMAT is a premium acid-free and lightfast card surface (360gsm / 170lb) specially developed by Clairefontaine for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibers, has the ability to grab and hold multiple layers of even the softest pastels. PASTELMAT is ideal for use with all dry media, and is also water resistant for use with washes and mixed media techniques.
The inspiration for this painting is a sunset from Siesta Key, Florida. I am always photographing skies. They are a painter’s dream with their ever-changing colors and forms. I am intrigued with light, how it glows and falls on forms. This glow I try to achieve, gives a feeling of warmth throughout my work that is peaceful and inviting.
I really enjoy working with this paper. I usually work on tinted paper for most of my pastel and charcoal drawings because it acts as an underpainting or *imprimatura.
I am always looking for a great surface that will hold up to many layers of color. PASTELMAT was soft like velvet yet durable. It handled well with soft pastel sticks as well as pastel pencil. I even worked with blending sticks, which can sometimes rough up the paper. I chose the black paper to bring contrast to the bold, warm sunset colors.
I appreciate the versatility between achieving soft blended areas of color as well as bold accents. I plan to experiment with wet media on the PASTELMAT as well.
Angie is inspired by the beauty around her. Forms, lines, textures, tones and colors transform into works of art. The forms become illuminated and sometimes figurative. The tactile experience from the creative process influences the emotion revealed from the finished work. Her drawings and paintings reflect her thoughts, her feelings, her life. Visit Angie Snyder Lande’s Art Page on Facebook
Angie Snyder Lande received her BFA from Kutztown University and has maintained her studio at the Banana Factory for over 10 years. During this time, her work has been on display throughout the region in galleries, juried shows, and invitational exhibitions. Angie has also supervised numerous mural projects throughout the community, and continues to teach drawing and painting to all age levels.
*Imprimatura is a term used in painting, meaning an initial stain of color painted on a ground. It provides a painter with a transparent, toned ground, which will allow light falling onto the painting to reflect through the paint layers. The term itself stems from the Italian and literally means “first paint layer”. The imprimatura provides not only an overall tonal optical unity in a painting but is also useful in the initial stages of the work, since it helps the painter establish value relations from dark to light.
The Paper Project puts FREE Exaclair paper samples in your hands – allowing you to try before you buy.
Each Monday, we will be offering samples from 1-4 Exaclair products to the first 50 people who sign up within that week. There is no limit to how many weeks you can sign up, and each week’s participants will be notified via e-mail that the samples are on their way. *Note: The Paper Project will be on holiday the weeks of December 22nd & 29th and will resume with Week 10 on Monday, January 5th.
THANK YOU FOR YOUR INTEREST – WE HAVE REACHED 50 PARTICIPANTS FOR THIS WEEK. TUNE IN NEXT MONDAY FOR THE NEXT INSTALLMENT OF THE PAPER PROJECT
Week 8 samples for the Paper Project include 2 6×8″ sheets each of Clairefontaine Graf-It paper in both blank and dot ruling.
*Note from Stephanie: (the artist) Graf-It paper is a lightly textured sketch paper and your pencils, artist crayons, and even pastels will especially love it.
GraF it Sketch Pads are a modern collection of sketch pads with unbeatable prices, vibrant colors and unique covers.
• 90 g white Clairefontaine sketch paper, matte texture and feel
• Blank or with dot grid (pale violet dots with 5 mm interval – same as Rhodia dot grid)
• 4 sizes available: Blank in 4 x 6″, 6 x 8″, 8 x 12″, 12×17″ – Dot grid in 6×8″ and 8×12″
• 80 sheets, acid-free paper
• Glued and stapled on top
• Sturdy cardboard inside the back cover
• Microperforated sheets for easy and clean removal
• Colorful covers/2 designs sold assorted
If you have been chosen to receive samples in any given week, please come back and leave comments on the corresponding week’s page. We also welcome you to blog or share to your favorite social media sites about your experiences.
Tag #rhodiapaperproject on Instagram and Pinterest. If you’d like us to see your Paper Project blog posts, post your links in the comment section on corresponding week’s page OR to our Rhodia Drive Facebook page.
What kind of comments are we looking for?
- Tell us what you like/don’t like about the paper: surface texture, ruling, ink, etc.
- How do you like using pencil/pen/fountain pen on it.
- Would you use it to write/draw/doodle/sketch etc.?
- …and anything else you think we should know.
Need a few recent reviews for inspiration?
“European paper makers come through with great stuff. No big surprise there. Is this Big Box, grade-school priced stuff? No. They aren’t ridiculously expensive either. All three are worth giving a go if you love to write letters and/or draw.”
#RhodiaPaperProject Week 4 at Squirrel Sentiments
“I have tried several papers from several manufacturers and Exaclair remains my personal standard to which all other paper is compared. The supercalendaring they do puts a smooth and buttery finish on the pages. They achieve this while maintaining the paper’s ability to absorb ink, but not feather, and dry relatively quickly. All this while holding international best in class environmental consciousness and sustainability.”
#rhodiapaperproject week 4 at Penguin Girl
“There are improvements in printing the grid lines over the past 18 years, the line is sharper and I think very slightly finer. ”
“This is an interesting week of paper choices. The tabbed notebook page is a bit out of context. I find myself wondering if I would like the tabs in the context of the whole book.”
If you are viewing this post via e-mail or on a mobile device, you may need to visit Rhodia Drive directly to see the entry form. (Entries must be received through the form – please do not post your name and address in the comment section of this post to receive samples. Thank you!)
This week’s Noteworthy Guest Blogger is sketchbook artist Bonnie Jean Woogler.
Over time I have wondered how to describe myself and my work. Recently I have come to think of myself as a sketchbook artist. The filling of a sketchbook is not a means to an end, but it is the creative work.
The form, the shape, and the weight of the notebook/sketchbook is the vessel for the artwork. Each page flows into the next, making my internal world external. This is a creative process and finished work that has come from a lifetime of day jobs and limited time for creative work. I can carry a sketchbook with me everywhere and allow the creative thought to flow in and around all the day job demands. The sketchbook/notebook is the work; it is the lifeline to always being with the drawings and the internal creative world.
The discovery of the Rhodia notebooks has been a luxury. I have spent many years making my own books or simply using the next one I find.
The Rhodia Journal book, hard cover with the dot paper, (Webnotebook) is my favourite. The dots are a wonderful background for my drawings and collages.
One of the qualities that make the Rhodia books a real luxury is that the binding holds up to my abuse.
The quality I love the most is that the paper is totally compatible with and receptive to the assortment of pens and pencils I use in my work.
This is Virginia Abbott.
Virginia is a nationally recognized sculptor whose current work addresses a variety of environmental issues. She is a member of the prestigious National Sculpture Society and a fellow resident artist at the Banana Factory in Bethlehem, PA. You may recognize Virginia from a previous post where she’d combined some of our Decopatch papers with some of her cast paper sculptures. (Want to watch Virginia demo the cast paper process at our local PBS station?)
Virginia had stopped by my studio not long ago to show me the results of some sketches that she’d drawn in a Rhodia LeCarre notepad. These pendants of sterling silver, brass and bronze were created using the lost wax casting method, a labor intensive process which begins by her carving the three dimensional design model from a block of wax.
The casting process continues by placing the wax model on a base, which is then covered by a flask. The flask is then filled with a wet plaster, (known as ceramic investment) and placed in a vacuum to remove air bubbles. Once the investment has been allowed to dry, the base and flask are removed and the piece placed in an oven to burn out the wax – hence the name, “lost wax”. It is at this point where molten metal is forced into the investment mold by centrifuge. To remove the cast item, the mold is destroyed and the resulting metal piece is cleaned up by filing and polishing.
If you want to make multiple pieces from a carved model, you have to send the finished metal piece back to the foundry to have a mold made – otherwise, it’s a one of a kind.
These are a few images of the original design sketches.
When I asked Virginia “Why trees?” It was a treat to learn the response.
At this point, it might be helpful to know that deer, trees, and irony happen to be a recurring theme in Virginia’s work. Did I mention that she also happens to be a clown?
Virginia also created the deer pendant shown above, which in its antlers, is holding a taxidermists glass deer eye. (I’m totally not making that up)
Looking at the reverse of the pendant, you can see how Virginia used the cast tree design as a “gallery” which is a decorative element used behind a stone in place of a solid mount. The tree pendants shown in the photos at the top of this post are a smart secondary usage of the original design.
I was really excited about the Clairefontaine dot ruled Graf It pads because it’s a really nice light grained drawing paper and after blank, dots are my preferred ruling.
When I received the sample from Karen, I was a bit disappointed because the light violet dots didn’t play well with my eyes. My first impression was that there were inconsistencies in the printing, with some dots appearing to be lighter than others. In a side by side comparison, the grey dots in the Rhodia dotPads look dark by comparison. (That’s the Rhodia on the left and two Graf It’s in the middle and on the right.)
Since this is a drawing pad, I decided to show this paper to a number of my artist friends. What I saw as potentially bothersome, they viewed as a positive attribute. They all wanted the dots to recede from their field of vision while drawing. They wanted them to be gentle guides and as non-obtrusive as possible.
Have you tried these yet? If so, what do you think? Do you like the lighter violet dots or the slightly darker great ones?
Below, sculptor Virginia Abbott poses with a quick sketch that she created on the Clairefontaine dot Graf It pad.
Graph It Dot Grid stapled pads: 80 sheets of white drawing 90g PEFC paper with pre-printed lilac light dots. The light geometric dot matrix is used as a skillful guide for your sketches, technical drawings or note taking. This subtle matrix will become almost invisible at scan, or on photocopy to reveal only your sketch.
160 pages / 80 sheets
90gsm / 41lb white paper
Available in A4 & A5
Several years ago, I had the opportunity to test a LOT of different colors/brands of fountain pen inks. (over 100!) Because I am a visual person, the best way for me to compare and contrast was to perform ink swatches and though my method was simple, you can make this process as detailed as you’d like. In the images I’ve attached here, I used cotton swabs to do 1, 2 and 3 swipes of each J. Herbin ink in a white drawing pad.
I also kept two separate journals that I only used for ink testing. One with white paper and one with ivory.
What process do you use to remember what all of your inks look like?
With Karen’s encouragement, I wanted to share with you several events and exhibitions that I have going on during the month of October:
On First Friday October 3rd I will be a featured artist at The Banana Factory with an exhibition of my work in the 1st floor lobby. First Friday activities throughout the building are from 6-9pm. Be sure to come up and visit me in my studio #250 on the 2nd floor. (My lobby and stairwell exhibitions at the BF will be on view until Nov. 3rd.) Facebook event details can be found here.
On Wednesday October 8th I will be offering a free artist talk entitled “Metamorphosis” at The Banana Factory from 7-8:30pm. I will be discussing influences, artistic processes, and my evolution as an artist. This event is free and open to the public. The event will begin with a slideshow and talk in the Banko Gallery at The Banana Factory and end with a visit to my private studio on the 2nd floor where light refreshments will be served. Facebook event details can be found here,
October 3rd-30th is the 125th Annual N.A.W.A Members Exhibition held at the Sylvia Wald and Po Kim Gallery, 417 Lafayette St in New York City. I became a juried member of – N.A.W.A (National Association of Women Artists) earlier this year and my piece “Orbit” will be part of this historic exhibition.
On Friday October 10th I will presenting an all-new workshop entitled “Tapping the Source” with Dr. Kell Morton – an expert in the field of transformational healing and personal growth. This experiential workshop is designed to help you awaken, access and nurture your full creative self. See the attached flyer for full details or visit the Facebook event page here.
I’m Gabe Couch, a designer and partner at Few. I’m also CEO of our internal startup, Tagless Style – an alternative online style service. Our group of friends launched a design and development conference in 2012 called Made by Few and last year Designed by Few which was a large part of launching Few, a mobile and web application development house. We are located in the center of Arkansas (The Natural State) and are working on creating a truly creative culture here. Continue Readering »
What does it mean to be “grounded?”
The simplest way to describe it, is being fully present in your life as opposed to being distracted by past or future events. When we are “in our heads” and thinking about anything but the current moment, we lose the ability to operate from or with, our fullest mental capacities. You can think about this like the RAM on a computer. Whether it’s a computer or our brain, give it too many tasks to process at the same time and it will ultimately grow sluggish.
You don’t need to take a lengthy or expensive vacation to a remote island or mountain top to do this. One of the easiest ways to reconnect with your full creative self is just by taking a quiet walk in nature.
Try this: First find a quiet place to take a walk. If you have to get in the car or on a bus to get to such a place, do it – it will be worth it.
Next, turn off technology for at least an hour.
Then, start walking. Try to be fully aware of placing one foot in front of the other and not thinking about anything else. Breathe deeply. Notice the sights, sounds, and smells around you. If your to-do list pops into your head, gently place it to the back burner while you bring your awareness back to one foot in front of the other.
If you have the opportunity, try taking your shoes off and allowing your bare feet to touch the earth – if only for a moment.
“Cultivate the habit of being grateful for every good thing that comes to you, and to give thanks continuously. And because all things have contributed to your advancement, you should include all things in your gratitude.” ― Ralph Waldo Emerson
Today (and everyday) is a good day to be grateful.
What are you grateful for?
My ferocious appetite for doodling kicked in about ten years ago when I worked in a cube. (Technically more of a triangle…) Doodling while sitting in on seemingly endless conference calls, my focus and recall was always better than if I sat there and just “paid attention.” My belief is that the benefits of doodling are similar to any other focused meditative practice; calming both to the mind and spirit.
Image courtesy of marianmachismo on Instagram.
Today’s creative prompt is going to be a little bit different. Are you ready?
If you are anything like me, and often travel the same route to get somewhere, you might occasionally notice a road that appears to lead somewhere interesting but isn’t able to be explored in that particular moment.
My challenge to you, is to take the time to go back to that location and take that road not yet travelled. Notice everything you can about the surroundings. Be playful and explore.
The when you get home, take just a bit more time to write down a few words about your experience. What did you see? What new things did you discover? Is it a place you’d like to go back to, or one that you never wish to visit again?
Please feel free to comment with your experiences. We’d love to know what you find.