This week on our Retailer Spotlight we have the lovely duo from Anderson Pens, Lisa and Brian Anderson! For our readers who do not know about Anderson Pens here’s a bit of background from their website and e-store www.andersonpens.net:
“Established in 2010, AndersonPens.net was developed to combine the efforts of Brian Anderson’s Esterbrook.net, and Lisa Anderson’s ProperPads to bring pens and paper together all in one place.”
They have become big enough to successfully open a brand new retail location in Appleton, WI which if you’re in the area you definitely need to check out! Continue reading »
When I first bought character actor Stephen Tobolowsky’s book “The Dangerous Animals Club” I didn’t initially realize that it was a memoir. (If you don’t know Stephen’s name, you probably know his face because he’s been in over 200 movies – from Mississippi Burning to Memento.) Each chapter is a separate story, (some quite amusing) yet there are larger interconnecting narratives that weave together from the book’s beginning to end. From the very first chapter I instantly recognized Stephen as a gifted storyteller and was more than happy to read about his various experiences -including many from his 30 years in the entertainment industry.
When reading a book such as this, I’m always intrigued by the authors ability to either recall or write detailed dialog. I have a million stories I could write about, but how does one remember exactly what so and so said? If one does not have the memory of an elephant and did not take explicitly detailed notes at the time of the event, does the author simply use artistic license and make things up? I’d be concerned that I’d receive a phone call from Great Aunt Hilde screaming at me something along the lines of, “I never said that you should buy the tuna, It’s always been the cod!”
If you’ve ever penned a short story using actual events from your life, how did you go about writing the character dialog? If not, we can each check out the advice offered at the links below.
Can You Make Up Dialogue In Memoirs Or Nonfiction Books? at Writer’s Relief
Writing a Memoir Like a Novel: Dialogue at This New Mountain
I received an e-mail the other day from Roy M. asking if I knew of any good calligraphy blogs. As I did not, I began to Google around. I found sites which featured eye candy like Gentian Osman’s at Drawing with a Squirrel, Schin Loong’s at Open Ink Stand, and Eliza Holliday’s at The Letterist.
Molly Suber Thorpe at Plurabelle Calligraphy has written a book entitled Modern Calligraphy and offers physical workshops. Molly Lever at Art du Jour offers online workshops.
A Place to Flourish offers the anticipations, experiences and reflections of a calligrapher.
But I really seemed to have struck the mother load when I found this post: 40 Fantastic Calligraphy Blogs which has links from calligraphy artists around the world - many who are are largely influenced by the cultures in which they live and work.
Does anyone else know of any good calligraphy blogs?
The image above is my own. That’s Rouge Hematite in a handmade folded pen.
Commonplace books (or commonplaces) are essentially handwritten scrapbooks filled with items of every kind: recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas, etc.
These commonplaces were used by readers, writers, students, and scholars as an aid for remembering useful concepts, or facts they had learned and each book would be unique to its owners particular interests. They became significant in early modern Europe.
Per Wiki, commonplace books are not diaries nor travelogues, with which they can be contrasted: English Enlightenment philosopher John Locke wrote the 1706 book A New Method of Making a Common Place Book, “in which techniques for entering proverbs, quotations, ideas, speeches were formulated. Locke gave specific advice on how to arrange material by subject and category, using such key topics as love, politics, or religion. Commonplace books, it must be stressed, are not journals, which are chronological and introspective.” – Nicholas A. Basbanes in “Every Book Its Reader: The Power of the Printed Word to Stir the World”
And in the words of Jonathan Swift: “A common-place book is what a provident poet cannot subsist without, for this proverbial reason, that “great wits have short memories;” and whereas, on the other hand, poets being liars by profession, ought to have good memories. To reconcile these, a book of this sort is in the nature of a supplemental memory; or a record of what occurs remarkable in every day’s reading or conversation. There you enter not only your own original thoughts, (which, a hundred to one, are few and insignificant) but such of other men as you think fit to make your own by entering them there. For take this for a rule, when an author is in your books, you have the same demand upon him for his wit, as a merchant has for your money, when you are in his.” —from “A Letter of Advice to a Young Poet”
Would you like to read more about commonplace books? Try these links:
How And Why To Keep A “Commonplace Book” at ThoughtCatalog
Commonplace Books at Harvard University Library
Rhodia has designed two new notepads for its 80th anniversary year (1934-2014): a white cover with silver logo pad, and a special 80th anniversary pad, with an interesting orange gold grid pattern on the cover.
We are calling the new “Bloc White” – Rhodia Ice.
Both pads will be featured at the National Stationery Show in New York May 18-21. 2014. They will arrive from France within the next two weeks.
Rhodia Ice will be available in six sizes: No. 11, No. 12, No. 13, No. 16, No. 18 and No. 19. The paper is 80g with muted silver grid or lines.
It is the most striking pad I have ever seen, with an elusive beauty and character. It is quite different from anything else–just like Rhodia.